Robert L. Lippert
Robert L. Lippert | |
|---|---|
| Born | March 31, 1909 Alameda, California, United States |
| Died | November 10, 1976(1976-11-10) (aged 67) United States |
| Occupation | Film producer, cinema owner |
Robert L. Lippert (March 31, 1909 – November 10, 1976) was an American film producer and cinema owner who eventually owned a chain of 118 theatres.[1]
He helped finance more than 300 films, including the directorial debuts of Sam Fuller, James Clavell, and Burt Kennedy. His films include I Shot Jesse James (1948) and The Fly (1958).
In 1962 Lippert said, "the word around Hollywood is: Lippert makes a lot of cheap pictures but he's never made a stinker".[2]
Contents
1 Biography
2 Screen Guild Productions
3 Lippert Pictures
3.1 Dispute with Screen Actors Guild
3.2 Hammer Films
3.3 Sam Fuller
4 20th Century-Fox
4.1 Regal Pictures
4.2 Associated Producers Incorporated
4.3 Later career
5 Personal life
6 Select Filmography
6.1 Produced by Action Pictures, Distributed by Screen Guild Productions
6.2 Produced by Affiliated Productions, Distributed by Screen Guild Productions
6.3 Produced by Golden Gate Pictures, Distributed by Screen Guild Productions
6.4 Produced by Somerset Pictures, Distributed by Screen Guild Productions
6.5 Produced by Jack Schwarz Productions, Distributed by Screen Guild Productions
6.6 Distributed only by Screen Guild Productions
6.7 Re-issues
6.8 Shorts
6.9 Produced by Western Adventures Productions, Distributed by Screen Guild Productions
6.10 Distributed by Screen Guild and Produced by Lippert Productions
6.11 Produced by Lippert Productions, Distributed by Lippert Productions
6.12 Other
6.13 Produced by Don Barry Productions, released by Lippert Pictures
6.14 Produced by Sigmund Neufeld Productions
6.15 Produced by Deputy Corporation
6.16 Produced by R and L Productions
6.17 International Pick-ups
6.18 H-N Productions, Distributed by Lippert Pictures
6.19 Co-productions with Hammer Films
6.20 Produced by Associated Film Releasing Corp., Intercontinental Pictures, Inc., Distributed by Fox
6.21 Produced by Lippert's Regal Films, Distributed by 20th Century Fox
6.22 Co-productions Between Regal Films & Emirau Productions, Distributed by Fox
6.23 Distributed by 20th Century Fox, Produced as Regal but released as 20th Century Fox
6.24 Produced by Lippert's Associated Producers, Distributed by 20th Century Fox
6.25 Produced by Princess Production , Released by Fox
6.26 Produced by Associated Producers but released as a 20th Century Fox Production, Released by Fox
6.27 Produced by Associated Producers, Released in US by American International Pictures
6.28 Produced by Capri Production, Distributed by 20th Century Fox
6.29 Produced by Lippert Films, Distributed by 20th Century Fox (in England)
6.30 Produced by Lippert Films, Distributed by Feature Film Corp, made in Philippines
6.31 Produced by Lippert Films, Distributed by 20th Century Fox (made in US)
6.32 Produced by Jack Parsons-Neil McCallum Productions, Filmed in England, Released by Paramount
6.33 Produced by Jack Parsons-Neil McCallum Productions, Filmed in England, Released by Fox
6.34 Produced by Parroch-McCallum with API, Distributed by Paramount, Filmed in England
6.35 Other Lippert Movies Distributed by 20th Century Fox
7 See also
8 References
9 External links
Biography
Born in Alameda, California and adopted by the owner of a hardware store Robert Lippert became fascinated by the cinema at an early age. As a youngster, he worked a variety of jobs in local theaters, including projectionist and assistant manager. As a manager of a cinema during the Depression, Lippert encouraged regular attendance with promotions such as "Dish Night" and "Book Night".
Lippert went from cinema manager to owning a chain of cinemas in California in 1942, during the peak years of theater attendance.[3] Lippert's theaters in Los Angeles often screened older films for a continuous 24 hours with an admission price of 25 cents. Not only did his theaters attract shift workers and late-night revelers, but servicemen on leave who could not find cheap accommodation and would sleep in the chairs.[4]
In May 1948 he merged his theater chain with George Mann's.[5] He also owned a number of drive-ins.[6]
Lippert died on November 16, 1976, and his cremated remains were interred at the Woodlawn Memorial Park in Colma, California.[7]
Screen Guild Productions
Dissatisfied with what he believed to be exorbitant rental fees charged by major studios, Lippert formed Screen Guild Productions in 1945, its first release being a color Bob Steele western called Wildfire, shot in Cinecolor.[8]
"Every theater owner thinks he can make pictures better than the ones they sent him", he later said. "So back in 1943 I tried it".[2]
In 1946 Screen Guild signed agreements with Affiliated Productions to make and distribute three films and Golden Gate Productions to make 12.[9] One of their most controversial releases was The Burning Cross (1947), which concerned the Ku Klux Klan.[10]
Lippert Pictures
Screen Guild became Lippert Pictures, Inc. in 1948, using rental stages and the Corriganville Movie Ranch for the production of its films. 130 Lippert features were made and released between 1948 and 1955.
Lippert's reputation rose with the success of I Shot Jesse James. A 1949 New York Times profile said he owned 61 theaters. It also reported (erroneously) that he had directed most of the Westerns his company had made.[11]
Lippert tried to add luster to his productions, but only if it could be done economically. His studio became a haven for actors whose careers were interrupted when their studios, no longer making lower-budget pictures, released them from their contracts. Robert Lippert was able to sign major-studio talent for a fraction of the usual rate, giving his productions more marquee value. Among the established names who worked for Lippert were George Raft, Veronica Lake, Zachary Scott, Robert Hutton, Joan Leslie, George Reeves, Ralph Byrd, Richard Arlen, Don "Red" Barry, Robert Alda, Gloria Jean, Sabu, Ellen Drew, Preston Foster, Jean Porter, Anne Gwynne, Jack Holt, Tom Neal, Robert Lowery, and John Howard.
Additional selling angles were realized when certain of Lippert's features could be marketed in a process more elaborate than ordinary black-and-white. Lippert used Cinecolor and sepiatone to dress up his more ambitious features, and embellished others by using tinted film stock for special effects (mint green for Lost Continent, pinkish-red for the Mars sequences in Rocketship X-M). He even anticipated the 3-D film craze by publicizing a special photographic lens, which he claimed gave a stereoscopic effect without special projection equipment.
In addition to his original productions, Lippert reissued older films to theaters under his own brand name, including several Hopalong Cassidy westerns and the Laurel and Hardy feature Babes in Toyland (reissued as March of the Wooden Soldiers).
Lippert read a 1949 Life magazine article about a proposed trip to and landing on the Moon. He rushed into production his film version called Rocketship X-M, released a year later in 1950; he changed the destination to Mars to avoid copying exactly the same idea being utilized by producer George Pal in his large-budget, high-profile Destination Moon. Rocketship X-M succeeded in becoming the first post-war science fiction outer space drama to appear in theaters, but just barely. More importantly, it became the first film drama to warn of the dangers and folly of full-scale atomic war.
Ron Ormond produced and directed several films for Lippert, including many westerns with Lash LaRue.
In 1951 Lippert signed the first contract with the American Federation of Musicians to sell films to television. Lippert had to rescore some of the films and pay an amount to the musicians' music fund.[12][13]
Dispute with Screen Actors Guild
In 1951 he clashed with the Screen Actors Guild when he sold his films to television.[14] He was blackballed by the Guild, as a result.[15][16] He was going to make films for television with Hal Roach Jr, but problems with the Screen Actors Guild led to their cancellation. He ended up making only two, Tales of Robin Hood and Present Arms.[17]
In October 1951 Lippert signed a three picture deal with the recently blacklisted Carl Foreman.[18] He also signed a two picture deal with blacklisted Paul Henreid[19] but no films appear to have resulted.
In 1951 he entered into an arrangement with Famous Artist Corporation to make films with their talent.[20] By January 1952, however, the SAG dispute had not been resolved and Lippert announced he was leaving film production.[21][22]
Hammer Films
In 1951 Lippert signed a four-year production and distribution contract with the British company Hammer Films by which Lippert would distribute Hammer movies in America, and Hammer would distribute Lippert’s films in the UK. To ensure familiarity with American audiences, Lippert insisted on an American star supplied by him in the Hammer films he was to distribute. The first film produced under the contract was The Last Page,[23] which starred George Brent.
Sam Fuller
Screenwriter and former newspaper reporter Samuel Fuller wanted to become a director, so he agreed to direct the three films he had been contracted to write for Lippert: I Shot Jesse James, The Baron of Arizona and The Steel Helmet, all for no extra money and just the directing credit.[24]
Lippert's most ubiquitous actor was probably the diminutive Sid Melton. He appeared as a supporting comedian in many of Lippert's productions and starred in three hour-long comedies.
20th Century-Fox
Regal Pictures
When Darryl F. Zanuck announced his CinemaScope process, he faced hostility from many theatre owners who had gone to great expense to convert their theatres to show 3-D films that Hollywood had stopped making. Zanuck assured them that they could have a large supply of CinemaScope product because Fox would make CinemaScope lenses available to other film companies and start a production unit, led by Lippert, called Regal Pictures in 1956 to produce B pictures in that process.
Lippert's company was contracted to make 20 pictures a year for seven years, each to be shot in seven days for no more than $100,000. Due to Lippert's problems with the film unions over not paying residuals to actors and writers of his films when they were sold to television, Ed Baumgarten was officially appointed the head of Regal, but Lippert had overall control.[25][26] Regal Pictures filmed its movies with CinemaScope lenses, but due to 20th Century-Fox insisting that only its "A" films would be labelled CinemaScope, Regal's product used the term "Regalscope" in its films' credits.[27]
Beginning with Stagecoach to Fury (1956), Regal produced 25 pictures in its first year.[28][8]
Maury Dexter, who worked at Regal, later recalled the outfit's productions were all shot at independent sound stages because they could not afford to shoot at 20th Century Fox, due to the high cost of rental and overhead they charged. The films were entirely financed and released by Fox, but Regal was independent. Dexter says "the only stipulation production-wise was that we had to give Bausch and Lomb screen credit on each film for CinemaScope camera lenses, as well as being charged back to Fox, $3,000 of each budget.[29]
Impressed by the unit's profits, Fox extended Regal's contract by a further 16 films with an "exploitation angle" that would be approved by Fox.[30]
In November 1957 Regal announced they would make ten films in three months.[31]
Regal made a deal with actors and directors to play them a percentage of any money from the sale of films to television. It did not make a deal with writers, and the Screenwriters Guild forbade its writers to work for Lippert. Regal stopped making films.
In 1960 Lippert sold 30 Regal films to television for $1 million.[32]
In October 1958 a new company was formed by Lippert, Regal Films, to make one a month low budget films for Fox, starting with Alaskan Highway. The company was headed by George Warren, a cost controller for MGM, with William Magginetti as production supervisor and Harry Spaulding as story editor. Lippert was described as being "associated" with the company.[33]
"We use hack writers or new writers and beat-up faces or new faces," he said later. "No, I don't direct any of them. I wouldn't be a director for anything. No wonder they all have ulcers."[2]
Associated Producers Incorporated
In 1959 Lippert renamed Regal as Associated Producers Incorporated (API) to make more low-budget films for double bills[34] (API having similar initials to exploitation specialist American International Pictures may have been coincidental).
The core of API was Harry Spalding and Maury Dexter. All API's productions were done in-house.
In October 1959 Lippert said making "little Bs" for $100,000 was no longer as lucrative because "it is now in the same category as the short TV feature which people can see for free."[11] He persuaded Fox to start financing his films up to $300,000 and a shooting schedule of around 15 days starting with The Sad Horse.[11]
"I have an angle on everything," he said in 1960, adding that he found it profitable to focus on small towns and country areas. "There's a lot of money in sticks."[35]
Faced with increasing production costs in Hollywood, Lippert announced in 1962 that he would be making films in England, Italy (The Last Man on Earth) and the Philippines. Fox ended Regal/API when its own production schedule had declined and it didn't have enough "A" features to support the "B" pictures.[36]
In 1962 Lippert criticised Hollywood for the "slow suicide" in movie going, blaming involvement of New York bankers in creative matters, inflated overhead, union featherbedding and obsolete theatres.[37]
"The economics of this business have gone cock-eyed," he added. "The total gross of pictures has dropped from 20-30% and the costs have doubled. It's nuts."[2] By this stage he estimated he had made "about 300 films" including 100 for Fox in five years. "On year I made 26, more than the rest of the studio."[2]
"Most Bs cost $100,000 or $200,000," he said. "We shoot them in six or seven days. There's hardly any re-shooting. Unless something is glaringly wrong, we let 'em go. What the hell, people don't care. They want to be entertained.I've heard people coming out of my theatres after seeing a double bill that featured a big production, 'Everybody died' or 'How that girl suffered. Thank God for the little picture'."[2]
Lippert said he wanted to make more Westerns "because they're cheap" but did not because "television had saturated the market."[2]
Later career
In March 1966 Fox announced Lippert would return to film production with Country Music.[38]
Lippert's association with Fox ended after 250 films with The Last Voice You Hear.[39]
Lippert maintained and expanded his chain of 118 theatres until his death. His son, Robert L. Lippert Jr., followed his father into producing.
Personal life
Maury Dexter says Lippert had a mistress, Margia Dean, who he would insist appear in Lippert films.[40]
Select Filmography
Produced by Action Pictures, Distributed by Screen Guild Productions
Wildfire: The Story of a Horse (1945) - starring Bob Steele, produced by William David, directed by Robert Emmett Tansey
Northwest Trail (1945) - starring Bob Steele, produced by William David, directed by Derwin Abrahams
God's Country (1946) - starring Bob Steele, produced by William David, directed by Robert Emmett Tansey
Produced by Affiliated Productions, Distributed by Screen Guild Productions
Renegade Girl (1946) - starring Ann Savage, directed by William Berke
Rolling Home (1946) - starring Jean Parker, directed by William Berke
Produced by Golden Gate Pictures, Distributed by Screen Guild Productions
'Neath Canadian Skies (1946) - produced by William David, directed by B. Reeves Eason from a story by James Oliver Curwood
North of the Border (1946) - produced by William David, directed by B. Reeves Eason from a story by James Oliver Curwood
Flight to Nowhere (1946) - with Alan Curtis & Evelyn Ankers, produced by William David, directed by William Rowland
My Dog Shep (1946) - starring Flame, produced by William David, directed by Ford Beebe
Death Valley (1946) - produced by William David, directed by Lew Landers
Scared to Death (1947) - starring Bela Lugosi, produced by William David, directed by Christy Cabanne
Produced by Somerset Pictures, Distributed by Screen Guild Productions
Road to the Big House (1947) - written by Aubrey Wisberg, directed by Walter Combes
The Burning Cross (1947) - written by Aubrey Wisberg, directed by Walter Combes
Produced by Jack Schwarz Productions, Distributed by Screen Guild Productions
Hollywood Barn Dance (1947) - produced by Jack Schwarz, directed by Bernard B Ray
Buffalo Bill Rides Again (1947) - produced by Jack Schwarz, directed by Bernard B Ray
Distributed only by Screen Guild Productions
Trail of the Mounties (1947) - Bali Pictures - starring Russell Hayden & Jennifer Holt, directed by Howard Bretherton
Bush Pilot (1947) - Dominion Pictures, a Canadian company - starring Jack La Rue
Boy! What a Girl! (1947) - Herald Pictures - musical featuring black performers
Bells of San Fernando (1947) - Hillcrest Productions
The Prairie (1947) - Zenith Pictures
Dragnet (1947) aka Dark Bullet and A Shot in the Dark - Fortune Films
Killer Dill (1947) - Max M. King Productions, Nivel Pictures Corporation
Harpoon (1948) - produced by Danches Bros. Productions
S.O.S. Submarine (1941) - 1941 Italian film released in US in 1948, aka Men on the Sea Floor
Miracle in Harlem (1948) - featuring black performers
The Mozart Story (1948) - Austrian film from Patrician Pictures
Tromba (1949) aka Tromba the Tiger Man (in 1952)
Omoo-Omoo the Shark God (1949) - Esla Pictures - directed by Leon Leonard
Call of the Forest (1949) - Adventure Pictures, directed by John F Link
Re-issues
Secret of the Wastelands (1941) (in 1946)
Outlaws of the Desert (1941) (in 1946)
Twilight on the Trail (1941) (in 1946)
Riders of the Timberline (1941) (in 1946)
Stick to Your Guns (1941) (in 1946)
Wide Open Town (1941) (in 1946)
Pirates on Horseback (1941) (in 1946)
Border Vigilantes (1941) (in 1946)
In Old Colorado (1941) (in 1946)
S.O.S. Submarine (1941) (in 1948)
Three Men from Texas (1940) (in 1946)
Stagecoach War (1940) (in 1948)
Hidden Gold (1940) (in 1948)
Santa Fe Marshal (1940) (in 1948)
Law of the Pampas (1939) (in 1948)
Range War (1939) (in 1948)
Renegade Trail (1939) (in 1948)
King of the Turf (1939) (in 1948)
Sunset Trail (1938) (in 1948)
The Duke of West Point (1938) (in 1948)
The Frontiersmen (1938) (in 1947)
Flirting with Fate (1938) (in 1948)
In Old Mexico (1938) (in 1948)
Pride of the West (1938) (in 1948)
Bar 20 Justice (1938) (in 1947)
Heart of Arizona (1938) (in 1947)
Cassidy of Bar 20 (1938) (in 1947)
Partners of the Plains (1938) (in 1947)
Texas Trail (1937) (in 1947)
Hopalong Rides Again (1937) (in 1946)
Rustlers' Valley (1937) (in 1946)
North of the Rio Grande (1937) (in 1946)
Hills of Old Wyoming (1937) (in 1946)
Borderland (1937) (in 1946)
Forbidden Music (1936) (in 1948)
Trail Dust (1936) (in 1946)
Hopalong Cassidy Returns (1936) (in 1946)
Red Salute (1935) (in 1946)
Hop-Along Cassidy (1935) (in 1946)
March of the Wooden Soldiers (1934) (in 1950)
Midnight (1934) (in 1948)
That's My Boy (1932) (in 1948)
Miss Annie Rooney (1942) (in 1948)
Captain Kidd (1945) (in 1952)
The Macomber Affair (1947) (in 1952)
The Iron Mask (1929) (in 1953)
Mr Robinson Crusoe (1932) (in 1953)
Chu Chin Chow (1934) (in 1953)
Shorts
The Case of the Baby Sitter (1947) - produced by Screen Art Pictures Cor
The Hat Box Mystery (1947) - produced by Screen Art Pictures Cor
Bandit Island (1953)
Produced by Western Adventures Productions, Distributed by Screen Guild Productions
Dead Man's Gold (1948)
Mark of the Lash (1948)
Frontier Revenge (1948)
Son of a Bad Man (1949)
Son of Billy the Kid (1949)
Outlaw Country (1949)
Distributed by Screen Guild and Produced by Lippert Productions
Shoot to Kill (1947) - produced and directed by William Berke
Queen of the Amazons (1947) - Screen Art Productions - written by Roger Merton, directed by Edward Finney
Jungle Goddess (1948) - written by Jo Pagaono, produced by William Stephens, directed by Lewis D. Collins
40,000 Eyes (1948)[41]
The Third Alarm (1948)
Thunder in the Pines (1948) - produced by William Stephens, directed by Robert Edwards
Shep Comes Home (1948) - produced by Ron Ormond, written and directed by Ford Beebe
Highway 13 (1948) produced by William Stephens, directed by William Berke
Black Stallion (1948) aka The Return of Wildfire - produced by Carl Hittleman, directed by Ray Taylor
Last of the Wild Horses (1948) - directed by Robert Lippert (the only film he directed)
Arson, Inc. (1949) - directed by William Berke
Deputy Marshal (1949) - directed by William Berke
Red Desert (1949) aka Texas Manhunt - directed by Ford Beebe
Treasure of Monte Cristo (1949) - directed by William Berke
Sky Liner (1949) - produced by William Stephens, directed by William Berke
I Shot Jesse James (1949) - produced by Carl Hittleman, written and directed by Sam Fuller
Grand Canyon (1949) - produced by Carl Hittleman, directed by Rob Landres
Rimfire (1949) - produced by Ron Ormond, directed by B. Reeves Eason
Texas Manhunt (1949) aka Red Desert - starring Don Barry, directed by Ford Beebe
Apache Chief (1949) - directed by Frank McDonald
Ringside (1949) - directed by Frank McDonald
Curfew Breakers (1957) - directed by Alex Wells
Produced by Lippert Productions, Distributed by Lippert Productions
Everybody's Dancin' (Mar 1950) - Nunes-Cooley Productions
Operation Haylift (Apr 1950) - directed by William Berke, Produced by Joe Sawyer, Written by Dean Riesner & Joe Sawyer
Marshal of Heldorado (Apr 1950) - starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
Motor Patrol (May 1950) - directed by Sam Newfield
Colorado Ranger (May 1950) - starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
West of the Brazos (Jun 1950) - starring James Ellison, produced by Ron Ormond, directed by Thomas Carr
Bandit Queen (Dec 1950) - produced and directed by William Berke
Radar Secret Service (1950)
Hollywood Varieties (1950)
Border Rangers (1950)
Hostile Country (1950)
Holiday Rhythm (1950)
The Return of Jesse James (1950)
Crooked River (1950)
Fast on the Draw (1950)
Rocketship X-M (1950)
Kentucky Jubilee (1951)
Unknown World (1951)
Superman and the Mole-Men (1951)
Stronghold (1951) - Tom Productions
The Jungle (1952) aka Kaadu
The Tall Texan (1953)
Bandit Island (1953) (short)
A Day in the Country (1953) (short)
The Great Jesse James Raid (1953)
Fangs of the Wild (1954)
The Cowboy (1954) (Documentary)
Thunder Pass (1954)
Other
The Fighting Seventh (June 1951) aka Little Big Horn - produced by Bali Productions - written and directed by Charles Marquis Warren (first film as director), produced by Carl Hittleman
G.I. Jane (1952) - produced by Murray Productions
F.B.I. Girl (1952) - produced by Jegar Productions
The Adventurers (1951) - produced by Mayflower
Valley of Eagles (1951) - produced by Independent Sovereign Films
Pirate Submarine (1952)
Navajo (1952) (documentary) - Hal Bartlett Productions
Outlaw Women (1952) - Ron Ormond Productions
Loan Shark (1952) - Encore Productions
Secret People (1952) - Ealing Productions
Hellgate (1952) - Commander Films
Mr. Walkie Talkie (1952) - Rockingham Productions
I'll Get You (1952) aka Escape Route - Banner Films
Bachelor in Paris (1952) - Roger Proudlock Productions
Women of Twilight (1952) aka Twilight Women - Angel Productions
The Curious Adventures of Mr. Wonderbird (1952, released 1957) - Clarge Distributors
Ghost Ship (1952) - Vernon Sewell Productions
The Queen of Sheba (1952) - Oro Films
Perils of the Jungle (1953) - Commodore Productions
White Goddess (1953) - Arrow Productions
Cosh Boy (1953) aka The Slasher - Romulus Productions
Eyes of the Jungle (1953) aka Destination Danger - episodes of Ramar of the Jungle
Project Moon Base (1953) aka Cat Woman on the Moon - Galaxy Pictures Inc.
Norman Conquest (1953) aka Park Plaza 605 - B & A Productions
Undercover Agent (1953) aka Counterspy - Abtcon Pictures
The Shadow Man (1953) aka Street of Shadow - William Nassour Productions
The Man from Cairo (1953) - Michaeldavid Productions
The Limping Man (1953) - Banner Films Ltd.
White Fire (1953) aka Three Steps to the Gallows - Tempean Films
Hollywood Thrill-Makers (1954) - Kosloff
Monster from the Ocean Floor (1954) - Palo Alto Productions (Roger Corman)
River Beat (1954) - Insignia Films
They Were So Young (1954) - Coronoa
Terror Ship (1954) - Merton Park Studios
The Black Pirates (1954) - Salvator
The Silver Star (1955) - L& B Productions
Silent Raiders (1954) - L&B Productions
Thunder Over Sangoland (1955) - episodes of Ramar of the Jungle
Phantom of the Jungle (1955) - episodes of Ramar of the Jungle
King Dinosaur (1955) - Zimgor
Air Strike (1955) - Cy Roth
The Lonesome Trail (1955) - L&B Productions
Simba (1955) - Group Film
Produced by Don Barry Productions, released by Lippert Pictures
Tough Assignment (1949)
The Dalton Gang (1949)
Square Dance Jubilee (1949)
Train to Tombstone (1950)
I Shot Billy the Kid (1950)
Frank James Rides Again (1950) aka Gunfire
Produced by Sigmund Neufeld Productions
Western Pacific Agent (1950)
Hi-Jacked (1950)
Three Desperate Men (1951)
Fingerprints Don't Lie (1951)
Mask of the Dragon (1951)
Stop That Cab (1951)
Danger Zone (1951)
Roaring City (1951)
Pier 23 (1951)
Savage Drums (1951)
Yes Sir, Mr. Bones (1951)
Varieties on Parade (1951)
Lost Continent (1951)
Leave It to the Marines (1951)
Sky High (1951)
Sins of Jezebel (1953)
Produced by Deputy Corporation
The Baron of Arizona (Mar 1950) - written by Sam Fuller and Homer Croy, produced by Carl Hittleman, and directed by Sam Fuller
The Steel Helmet (Feb 1951) - written, produced and directed by Sam Fuller
Produced by R and L Productions
Tales of Robin Hood (1951)
As You Were (1952)
International Pick-ups
Johnny the Giant Killer (1950, released 1953)
Highly Dangerous(1950)
The Fighting Men (1950)
The Siege (1950)
H-N Productions, Distributed by Lippert Pictures
For Men Only (Jan 1952) - produced and directed by Paul Henreid
Co-productions with Hammer Films
There is No Escape (1949) aka The Dark Road
The Last Page (1952) aka Man Bait
Wings of Danger (1952) aka Dead on Course
Stolen Face (1952)
Lady in the Fog (1952) aka Scotland Yard Inspector
Gambler and the Lady (1952)
Bad Blonde (1953)
36 Hours (1953) aka Terror Street
Face the Music (1953) aka The Black Glove
Spaceways (1953)
Blackout (1954) aka Murder by Proxy
The House Across the Lake (1954) aka Heat Wave
A Stranger Came Home (1954) aka The Unholy Four
Mask of Dust (1954) aka Race for Life
Third Party Risk (1954) aka The Big Deadly Game
Five Days (1954) aka Paid to Kill
Life with the Lyons (1954) aka Family Affair
The Glass Cage (1955) aka The Glass Tomb
The Quatermass Xperiment (1955)
Produced by Associated Film Releasing Corp., Intercontinental Pictures, Inc., Distributed by Fox
Massacre (June 1956) - written by D.D. Beauchamp, produced by Robert L. Lippert Jr, directed by Louis King
Produced by Lippert's Regal Films, Distributed by 20th Century Fox
The Desperadoes Are in Town (Nov 1956) - directed by Kurt Neumann
Stagecoach to Fury (Dec 1956) - produced by Earl Lyon, directed by William Claxton - nominated for an Oscar
The Women of Pitcairn Island (Dec 1956) - written by Aubrey Wisberg, directed by Jean Yarbrough
The Black Whip (Dec 1956) - written by Orville Hampton, produced bu Robert Kraushaar, directed by Charles Marquis Warren
The Quiet Gun (Jan 1957) aka Fury at Rock River - written and produced by Earle Lyon, directed by William F Claxton
The Storm Rider (Mar 1957) - written and directed by Edward Bernds, produced by Bernard Glasser
She Devil (April 1957) - written, produced and directed by Kurt Neumann
Kronos (April 1957) - produced and directed by Kury Neumann
Badlands of Montana (May 1957) - written, produced and directed by Daniel B. Ullmann
Lure of the Swamp (May 1957) - directed by Hubert Cornfield
The Abductors (Jul 1957) - written and produced by Ray Wander, directed by Andrew McLaglen
Apache Warrior (July 1957) - directed by Elmo Williams, produced by Plato A. Skouras, written by Carroll Young, Kurt Neumann & Eric Norden
God Is My Partner (1957) - starring Walter Brennan, directed by William F. Claxton, produced by Sam Hersh
Hell on Devil's Island (Aug 1957) - written by Steven Ritch, produced by Leon Chooluck and Laurence Stewart, directed by Christian Nyby
Under Fire (Sept 1957) - written by James Landis, produced by Plato A. Skouras, directed by James B. Clark
Rockabilly Baby (Oct 1957) - produced and directed by William Claxton
Ghost Diver (Oct 1957) - written and directed by Richard Einfeld and Merrill G. White
Young and Dangerous (Oct 1957) - produced and directed by William Claxton
Plunder Road (Dec 1957) - directed by Hubert Cornfield
Escape from Red Rock (Dec 1957) - written and directed by Edward Bernds, produced by Bernard Glasser
Diamond Safari (Feb 1958) - co produced with Scheslinger Org in South Africa - producer and directed by Gerald Mayer
Ambush at Cimarron Pass (Feb 1958) - early role for Clint Eastwood, directed by Jodie Copelan, produced by Herbert E. Mendelson, written by John K. Butler and Richard G. Taylor
Showdown at Boot Hill (May 1958) - starring Charles Bronson, directed by Gene Fowler Jr., produced by Harold E. Knox, written by Louis Vittes
Thundering Jets (May 1958) - directed by Helmut Dantine, produced by Jack Leewood, written by James Landis
Wolf Dog (July 1958) - produced and directed by Sam Newfield, written by Louis Stevens
Sierra Baron (July 1958) - written by Houston Brance, produced by Plato Skouras, directed by James B Clark
Space Master X-7 (Jul 1958) - Directed by Edward Bernds, produced by Bernard Glasser, written by George Worthing Yates and Daniel Mainwaring
Gang War (July 1958) - starring Charles Bronson, written by Louis Vittes, directed by Gene Fowler Jr
Villa!! (Oct 1958) - written by Louis Vittes, produced by Plato Skouras, directed by James B Clark
Frontier Gun (Dec 1958) - Directed by Paul Landres, Produced by Richard E. Lyons, written by Stephen Kandel
Lone Texan (March 1959) - starring Willard Parker written by James Landis, produced by Jack Leewood, directed by Paul Landres
Co-productions Between Regal Films & Emirau Productions, Distributed by Fox
The Unknown Terror (1957)
Copper Sky (1957)
Ride a Violent Mile (Nov 1957) - story & directed by Charles Marquess Warren
Back from the Dead (1957)
Desert Hell (1958)
Cattle Empire (1958)
Blood Arrow (1958)
Distributed by 20th Century Fox, Produced as Regal but released as 20th Century Fox
The Fly (Aug 1958) - written by James Clavell, produced and directed by Kurt Neumann
Produced by Lippert's Associated Producers, Distributed by 20th Century Fox
Alaska Passage (Feb 1959) - written and directed by Edward Bernds produced by Bernard Glasser
The Little Savage (March 1959) - director Byron Haskin, producer Jack Leewood, writer Eric Norden
The Sad Horse (March 1959) - director James B. Clark, producer Richard E. Lyons, writer Charles Hoffman
The Miracle of the Hills (July 1959) - written by Charles Hoffman, directed by Paul Landres
Return of the Fly (July 1959) - written and directed by Edward Bernds, produced by Bernard Glasser
The Alligator People (July 1959) - directed by Roy Del Ruth, produced by Jack Leewood, written by Orville H. Hampton
Five Gates to Hell (Sept 1959) - written, produced and directed by James Clavell
The Oregon Trail (Sept 1959) - written by Louis Vittes, produced by Richard Einfelfd, directed by Gene Fowler Jr
Blood and Steel (Dec 1959) - produced by Gene Corman, directed by Bernard L. Kowalski
Here Come the Jets (Jun 1959) - director Gene Fowler, Jr., producer Richard Einfeld, writerLouis Vittes
The Rookie (Dec 1959) - starring Tom Noonan - directed by George O'Hanlon
The 3rd Voice (Jan 1960) - written & directed by Hugh Cornfeld, produced by Maury Dexter
Valley of the Redwoods (May 1960) - director William Witney, producer Gene Corman, written by Leo Gordon & Daniel Madison
Young Jesse James (Aug 1960) - starring Ray Strickland & Willard Parker, written by Orvill Hampton, produced by Jack Leewood, directed by William F Claxton
Walk Tall (Sept 1960) - written by Joseph Fritz.produced & directed by Maury Dexter
Desire in the Dust (Oct 1960) - starring Raymond Burr, produced and directed by William F Claxton
Freckles (Dec 1960) - Directed by Andrew McLaglen, written and produced by Harry Spalding
The Secret of the Purple Reef (Dec 1960) - produced by Gene Corman, directed by William Witney
Tess of the Storm Country (Dec 1960) - Directed by Paul Guilfoyle, produced by Everett Chambers, written by Charles Lang & Rupert Hughes
Twelve Hours to Kill (April 1960) - directed by Edward L. Cahn, produced by John Healy
13 Fighting Men (April 1960) - directed by Harry W. Gerstad, Produced by Jack Leewood, Screenplay by Robert Hamner & Jack W. Thomas
The Long Rope (Feb 1961) - written by Robert Hamner, produced by Margia Dean directed by William Witney
Sniper's Ridge (Feb 1961) - produced and directed by John A. Bushelman, written by Tom Maruzzi
The Canadians (Mar 1961) - written and directed by Burt Kennedy (his directorial debut)
The Little Shepherd of Kingdom Come (April 1961) - produced by Maury Dexter, directed by Andrew McLaglen
The Silent Call (May 1961) - directed by John A. Bushelman, produced by Leonard A. Schwartz, written by Tom Maruzzi - last appearance of Gail Russell
Misty (June 1961) - starring David Ladd, directed by James Clark, written by Ted Sherdeman
20,000 Eyes (Jun 1961) - written by Jack Thomas, produced & directed by Jack Leewood
Battle at Bloody Beach (Jun 1961) - starring Audie Murphy, written and produced by Richard Maibaum, directed by Herbert Coleman
The Big show (Jul 1961) - starring Esther Williams and Cliff Robertson - written by Ted Sherdeman, directed by James B. CLark, produced by Clark and Sherdeman
7 Women from Hell (Oct 1961) - Directed by Robert D. Webb, Produced by Harry Spalding, Written by Jesse Lasky Jr
The Two Little Bears (Nov 1961) - written and produced by George W George, directed by Randall Hood
The Purple Hills (Nov 1961) - produced and directed by Maury Dexter
Hand of Death (Mar 1962) - produced and written by Eugene Ling, directed by Gene Nelson
The Broken Land (April 1962) - starring Jack Nicholson, directed by John A. Bushelman, produced by Leonard A. Schwartz, written by Edward J. Lakso
The Cabinet of Caligari (May 1962) - written by Robert Bloch, produced and directed by Robert Kay
Womanhunt (June 1962) - written by Harry Spalding, produced and directed by Maury Dexter
Air Patrol (Jul 1962) - written by Harry Spalding, produced and directed by Maury Dexter
The Firebrand (Aug 1962) - written by Harry Spalding, produced and directed by Maury Dexter
Young Guns of Texas (Nov 1962) - written by Harry Spalding, produced and directed by Maury Dexter
The Day Mars Invaded Earth (Feb 1963) - written by Harry Spalding, produced and directed by Maury Dexter
House of the Damned (Mar 1963) - written by Harry Spalding, produced and directed by Maury Dexter
Police Nurse (May 1963) - written by Harry Spalding, produced and directed by Maury Dexter
Harbor Lights (Jul 1963) - written by Harry Spalding, produced and directed by Maury Dexter
The Young Swingers (Sept 1963) - written by Harry Spalding, produced and directed by Maury Dexter
Thunder Island (Sept 1963) - written by Jack Nicholson and Don Devlin, produced & directed by Jack Leewood
Surf Party (Jan 1964) - written by Harry Spalding, produced and directed by Maury Dexter
Felicia (1964)
Produced by Princess Production , Released by Fox
Murder Inc (Jun 1960) - directed by Burt Balaban & Stuart Rosenberg, produced by Balaban
Produced by Associated Producers but released as a 20th Century Fox Production, Released by Fox
A Dog in Flanders (Mar 1959) - director James B. Clark, producer Robert B. Radnitz, writer Ted Sherdeman
It Happened in Athens (June 1962) - starring Jayne Mansfield directed by Andrew Marton
Produced by Associated Producers, Released in US by American International Pictures
The Last Man on Earth (Mar 1964) - starring Vincent Price, directed by Ubaldo Ragona and Sidney Salkow
Produced by Capri Production, Distributed by 20th Century Fox
The High Powered Rifle (Sept 1960) - written by Joseph Fritz, produced and directed by Maury Dexter
Produced by Lippert Films, Distributed by 20th Century Fox (in England)
Witchcraft (Mar 1964) - starring Lon Chaney Jr, written by Harry Spalding, produced by Jack Parsons, directed by Don Sharp
The Horror of It All (Aug 1964) - written by Ray Russell, directed by Terence Fisher
Night Train to Paris (Sept 1964) - written by Harry Spalding, produced by Jack Parsons, directed by Robert Douglas
The Earth Dies Screaming (Oct 1964) - written by Harry Spalding, produced by Jack Parsons, directed by Terence Fisher
Raiders from Beneath the Sea (Dec 1964) - written by Harry Spalding, produced and directed by Maury Dexter
Curse of the Fly (May 1965) - written by Harry Spalding, produced by Jack Parsons, directed by Don Sharp
Wild on the Beach (Aug 1965) - written by Harry Spalding, produced & directed by Maury Dexter
Spaceflight IC-1: An Adventure in Space (Oct 1965) - written by Harry Spalding, produced by Jack Parsons, directed by Bernard Knowles
The Return of Mr. Moto (Oct 1965) - produced by Jack Parsons, directed by Edward Morris
The Murder Game (Dec 1965) - written by Harry Spalding, Iving Yergin, produced by Jack Parsons, directed by Sidney Salkow
The Last Shot You Hear (May 1969) - produced by Jack Parsons, directed by Gordon Hessler
Produced by Lippert Films, Distributed by Feature Film Corp, made in Philippines
Walls of Hell (1964) - Hemisphere Pictures - directed by Eddie Romero
Moro Witch Doctor (1964) - Hemisphere Pictures, Associated Producers - produced & directed by Eddie Romero
Back Door to Hell (1964) - produced by Fred Roos, directed by Monte Hellman
Flight to Fury (1964) - written by Jack Nicholson, produced by Fred Roos, directed by Monte Hellman
Cordillera (1965) - adaptation of Flight to Fury, directed by Eddie Romero
Produced by Lippert Films, Distributed by 20th Century Fox (made in US)
That Tennessee Beat (1966) - produced and directed by Richard Brill
Produced by Jack Parsons-Neil McCallum Productions, Filmed in England, Released by Paramount
Walk a Tightrope (1964) - produced by Jack Parsons, directed by Frank Nesbitt
Produced by Jack Parsons-Neil McCallum Productions, Filmed in England, Released by Fox
The Eyes of Annie Jones (May 1964) - written by Louis Vittes, produced by Jack Parsons, directed by Reginald Le Borg
Produced by Parroch-McCallum with API, Distributed by Paramount, Filmed in England
Troubled Waters (1964) - Parroch-McCallum - starring Tab Hunter, produced by Lippert and Jack Parsons - released by Fox
The Woman Who Wouldn't Die (1965) aka Catacombs - written by Daniel Mainwaring, produced by Jack Parsons, directed by Gordon Hessler - released by Warners
Other Lippert Movies Distributed by 20th Century Fox
The Yellow Canary (1963) - Cooga Mooga Productions - starring Pat Boone, written by Rod Serling, produced by Maury Dexter, directed by Buzz Kulik
See also
- Alameda Theatre (Alameda, California)
- Tiffany Theater
References
^ Variety Obituaries November 24, 1976
^ abcdefg Ryon, A. (1962, Sep 23). Third-run film king tells industry's woes. Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/168195832?accountid=13902
^ Booyaka.com
^ p. 110 Maury Dexter Interview by Tom Weaver I Talked with a Zombie: Interviews with 23 Veterans of Horror and Sci-Fi McFarland
^ Mustering-out pay dead line changed. (1948, May 21). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/165862356?accountid=13902
^ Y JOSEPH W TAYLOR Staff Correspondent of THE WALL,STREET JOURNAL. (1948, Jul 09). Outdoor movies. Wall Street Journal (1923 - Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/131773107?accountid=13902
^ Robert Lenard Lippert, Sr at Find a Grave
^ ab Fernett, Gene Hollywood's Poverty Row 1930-19501973 Coral Reef Publications
^ Special to THE NEW,YORK TIMES. (1946, Jul 15). LAURENCE OLIVIER IN NEW FILM ROLE. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/107681668?accountid=13902
^ By, T. F. (1947, Jun 01). Big temblor staged for 'green dolphin, street' -- KKK expose -- addenda. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/107926088?accountid=13902
^ abc By, A. H. W. (1949, Jan 30). BY WAY OF REPORT. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/105774114?accountid=13902 Cite error: Invalid<ref>tag; name "lip" defined multiple times with different content (see the help page).
^ First contract signed to allow sale of movies to television. (1951, Apr 25). Wall Street Journal (1923 - Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/131935912?accountid=13902
^ By THOMAS F BRADY Special to THE NEW,YORK TIMES. (1951, Apr 24). LIPPERT, PETRILLO IN ACCORD ON VIDEO. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/112005830?accountid=13902
^ By J.D. SPIRO. (1951, Jul 01). HOLLYWOOD AND TV. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/112205023?accountid=13902
^ By, T. M. (1951, Sep 09). HOLLYWOOD SCENES. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/111891734?accountid=13902
^ Special to THE NEW,YORK TIMES. (1951, Oct 31). AUTRY SUES STUDIO OVER FILMS FOR TV. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/111965601?accountid=13902
^ By THOMAS M PRYOR Special to THE NEW,YORK TIMES. (1951, Jul 13). LIPPERT CANCELS MOVIES FOR VIDEO. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/111961190?accountid=13902
^ Special to THE NEW,YORK TIMES. (1951, Oct 25). FOREMAN SETS UP OWN FILM CONCERN. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/112125295?accountid=13902
^ Special to THE NEW,YORK TIMES. (1951, Oct 27). BISCHOFF LEAVING R.K.O. FOR WARNERS. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/112067407?accountid=13902
^ By, T. M. (1951, Dec 09). HOLLYWOOD MEMOS. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/111903138?accountid=13902
^ By THOMAS M PRYORSpecial to THE NEW,YORK TIMES. (1954, Jan 06). MUSICAL TO STAR ESTHER WILLIAMS. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/113167652?accountid=13902
^ By, T. M. (1952, Jan 13). HOLLYWOOD'S MILITANT STAND. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/112340751?accountid=13902
^ Lyons, Arthur (2000). Death on the Cheap: The Lost B Movies of Film Noir!. Da Capo Press. p. 115. ISBN 978-0-306-80996-5..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ Fuller, Samuel A Third Face Alfred A Knopf (2002)
^ p.94 Maury Dexter Interview by Tom Weaver I Talked with a Zombie: Interviews with 23 Veterans of Horror and Sci-Fi McFarland
^ Dexter p 89
^ Widescreenmuseum.com
^ By, T. M. (1957, Sep 15). BUSY HOLLYWOOD. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/114153989?accountid=13902
^ Dexter p 88
^ p.103 Dombrowski, Lisa The Films of Samuel Fuller: If You Die, I'll Kill You! Wesleyan University Press
^ By THOMAS M PRYOR Special to The New,York Times. (1957, Nov 19). REGAL TO START TEN FILMS SOON. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/114300436?accountid=13902
^ National telefilm concern buys 30 films from regal. (1960, Jan 21). Wall Street Journal (1923 - Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/132610753?accountid=13902
^ By THOMAS M PRYORSpecial to The New York Times. (1958, Oct 08). 12 MOVIES ADDED TO FOX SCHEDULE. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/114531347?accountid=13902
^ p.105 Heffernan, Kevin Ghouls, Gimmicks and Gold: Horror Films and the American Movie Business 2004 Duke University Press
^ Scheuer, P. K. (1960, Sep 05). Showman divulges first-aid program. Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/167764425?accountid=13902
^ p.117 Dexter
^ MOTION PICTURES. (1963, Aug 05). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/168380478?accountid=13902
^ Martin, B. (1966, Mar 31). 'Impossible' script ready. Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/155374450?accountid=13902
^ 'Last' to end Lippert association with 20th. (1968, Feb 23). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/155851742?accountid=13902
^ Dexter p 99
^ Screen guild's slate revealed. (1948, May 01). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/165873939?accountid=13902
External links
Robert L. Lippert on IMDb- Robert Lippert Foundation
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